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Now, after the third night the chief ghost called together all the people, and they came, and with them came the man's wife. One of the ghosts was beating a drum, and following him was another who carried the Worm Pipe, which they gave to him. As he reaches the broad stream that divides him from the land he would reach, he pauses and tries to think of any decent excuse that may enable him to walk with a bold front up to the cottage door. But no such excuse presents itself. Memory proves false. It refuses to assist him. He is almost in despair. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered..
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Conrad
and light breaks through shutter and curtain, and objects pale and ghostly at first soon grow large and intimate. "Then I suppose when there you were too young to go out?" pursues the poor duchess, striving for information. "I have nothing to do with you. Go your ways. It is with him I have to settle," says the man, morosely. "Good gracious, Mona, whom do you mean?" asks he, aghast both at her look and tone..
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